tag:blogger.com,1999:blog-61114692090358092902011-04-21T15:31:49.185-07:00Aarón Soto.noreply@blogger.comBlogger11100tag:blogger.com,1999:blog-6111469209035809290.post-20190894491610017062007-05-25T15:30:00.000-07:002008-11-12T20:59:16.366-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_p0JhnNFad5I/RruahnXNIeI/AAAAAAAAB-M/qXQ7rePEy7k/s1600-h/23203541_2eeca1cfac.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_p0JhnNFad5I/RruahnXNIeI/AAAAAAAAB-M/qXQ7rePEy7k/s400/23203541_2eeca1cfac.jpg" alt="" id="BLOGGER_PHOTO_ID_5096837305592521186" border="0" /></a><br />Soto lifelong passion for genre filmmaking finally explode in to the screen in 2000 with his first short <span style="font-style: italic;">Omega Shell</span>-a cyberpunk spaghetti western that details the exploits of a lone desperado and his maniacal, mechanical sex apparatus. Unfolding in a stark, desolate landscape and steeped in the symbol-laden mysticism of <span style="font-style: italic;">El Topo</span> and the technophofic nightmares of <span style="font-style: italic;">Tetsuo</span>, an adding the insanely kinetic camera work of the <span style="font-style: italic;">Evil Dead</span>, Soto's debut is an evocative and intensely frenetic celebration of the genre he adores. <br /><span style="font-weight: bold; color: rgb(102, 0, 0);font-family:verdana;font-size:100%;" >-Suart Andrews, <span style="font-style: italic;">Rue Morgue</span> magazine.<br /><br /></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6111469209035809290-2019089449161001706?l=aaronsotocinema2.blogspot.com' alt='' /></div>Aarón Soto.noreply@blogger.com0